British TV was once
the envy of the world. Now it is a mix of reality shows, ageing
celebrity comebacks and repeats from yesteryear. That doesn’t
leave you, the viewer, with a lot to get excited about does it? In
recent years, however, people have turned to subtitled European faire
for their fix of fresh, gritty shows. The Scandanavians have given
us The Killing
and The Bridge,
the French have delivered The Returned
and Braquo. Italy
gave us Inspector Montalbano,
but they also exported this little gem, undoubtably the best of the
lot. The European version of The Wire…step
forward Romanzo Criminale.
Image courtesy of skyarts.sky.com |
Romanzo
Criminale ("Crime
Novel") is an Italian television series based on a novel by
judge Giancarlo De Cataldo, and adapted from the 2005 film of the
same name. The first series quickly achieved cult status in Italy,
with the second series also proving popular. It quickly
achieved the same status in the United Kingdom with the programme
being aired on Sky Arts.
The
series is set from 1977-89 and follows the rise of a criminal gang in
Rome to a near monopoly of the city's heroin trade. The gang is led
by three old friends, Lebanese
(Francesco Montanari), Freddo
(Vinicio Marchioni) and Dandi
(Alessandro Roja).
The
plotline is based on the real
crime group of the era, Banda della Magliana. The story focuses on Lebanese (also known as Libano), who we first meet
during a bungled lorry robbery. Running his gang from a clapped-out
caravan and frustrated by his high-risk, low-reward criminality, he
dreams of becoming a big player like Terrible, the city's
major crime warlord.
Libano
and Dandi link their gang with another local small time crook
Freddo, and they hatch a plan to abduct Baron Rosellini,
a wealthy aristocrat whom Libano's
parents worked for. The kidnapping
offers huge rewards for the gang. The plot ends tragically, but they get their ransom money.
Lebanese. Image courtesy of www.nonsolocinema.com |
Despite tensions
between the rival outfits, Libano convinces the gang not to
blow the money on hookers and fast cars, but to reinvest in further
criminal enterprises - namely drugs. Commissioner
Scialoja (Marco Bocci) goes after
the gang, becoming obsessed along the way by a beautiful call girl,
Patrizia (Daniela Virgilio) (the girlfriend of Dandi).
The
gang has to deal with the Camorra and
Sicilian Mafia (who supply heroin to the gang), the police, led by Commissioner
Scialoja and the Italian secret services.
Commissioner Scialoja. Image courtesy of www.episode39.it |
Their progress
and changes in leadership (Libano is followed by his
cohorts Freddo and Dandi) are inseparably intertwined
with the dark history of modern Italy: terrorism, kidnappings and
corruption at the highest levels of government.
Through
political murders, spectacular bombings and high-profile kidnappings
Libano proves himself through a series of brutal crimes. He
makes valuable connections among corrupt cops and politicians, and in
the Secret Service, which seeks to enlist the gang to destabilize the
government and provoke a right-wing coup.
Scialoja is seemingly the one man not in the pay or pocket of the Mafia or the corrupt State, and is determined to bring the ferocious gang to justice, whatever the cost to himself or to the rules of the law.
Scialoja is seemingly the one man not in the pay or pocket of the Mafia or the corrupt State, and is determined to bring the ferocious gang to justice, whatever the cost to himself or to the rules of the law.
The
first season reaches it’s climax with Libano seeing himself as the undisputed ‘King of
Rome’. But
while he increasingly distrusts everyone and becomes more paranoid,
his thirst for power is never truly satisfied and his demonic look
intensifies. Flashbacks and dream sequences superbly portray a
character that is spurred on by vengeance and fear, while the ongoing
story shows how he came to dominate in a time of disorganisation,
terror and corruption.
A dramatic end to the first season, which stayed faithful to the film, paved the way for Season 2. This takes up the action directly after the game-changing events of that first season finale. As the major players regroup and rethink their strategies the scene shifts to the early 80s. The cars and fashions may have changed, but the drug game stays the same....making more money means more bloodshed.
The show serves as both entertainment and a history lesson. As a viewer you go through their journey with them, the emotional heart of the show remains with Libano, Freddo and Dandi with their crazy plan to take over the capital and it is hard not to side with the guys with the impossible dream.
The real Banda della Magliana were a vicious gang that set out to rule the criminal underworld of 1970s Rome. While Naples and Sicily were the stomping grounds of the Camorra and the Mafia, Rome's criminal network was a patchwork of small gangs, and the Banda set out to be top gang in the capital.
The show serves as both entertainment and a history lesson. As a viewer you go through their journey with them, the emotional heart of the show remains with Libano, Freddo and Dandi with their crazy plan to take over the capital and it is hard not to side with the guys with the impossible dream.
The real Banda della Magliana were a vicious gang that set out to rule the criminal underworld of 1970s Rome. While Naples and Sicily were the stomping grounds of the Camorra and the Mafia, Rome's criminal network was a patchwork of small gangs, and the Banda set out to be top gang in the capital.
While De
Cataldo's novel is inspired by the real Banda della Magliana,
names and details have been changed. One of the factors that makes
the TV series so compelling is that this classic story of the gang's
rise is little known outside of Italy.
During the 1970s
the country was a frightening place, one of police brutality,
political murders, bombings, kidnappings and secret service plots
against the government. The story of how the gang became involved in
these disturbing affairs, filmed on the Roman streets with a
soundtrack of classic 70s pop, prompted the leading daily newspaper
La Stampa to call the show "the best series ever
produced in Italy".
The recent
influx of subtitled programmes on British TV has shown that a lot of fantastic shows are out there, and people’s perceptions of
watching a subtitled programme have changed, for the better, along
the way.
No comments:
Post a Comment